In our tech, we went through the lengthy process of explaining to the technicians that we wanted six microphones, six spotlights, numerous audio clips, video projections in which we would show all the previous experiments, and photographs. We were planning on having a script, speaking in unison and reciting vulnerability in different languages and we were each going to represent a previous experiment.

Then we discovered simplicity.

We realised that if we included all these technical aspects, we would be able to hide behind them in the performance, and would therefore be ignoring our original aim of making ourselves vulnerable. It was therefore decided that we needed to strip back the superfluous additions in order to achieve any sense of exposure. It was stated in a previous experiment that an audience member decided not to take part, because she was able to hide in the large area around the performance space, and therefore felt distanced from the piece. This led to our decision to split the room in two using flats, and creating a smaller space for the performance to occur in.

We then decided to dismiss the idea of having a spotlight on each member of the group and replace them with a general wash. This also meant that the piece became less about ‘us’, and more accessible as an audience member, as we were all occupying the same space, in the same lighting and we decided to keep the video projection, but simplified it so it only contained the questions and answers mentioned in ‘We Tell the Truth’.

Through the simplification of the performance, we are able to definitively portray both mental and physical vulnerability. Mental through the video projection, and physical through our being in the space in the final performance.

We also decided to include a projection of a clock, counting down from 1:50:27 (the length of our piece) because having that as a constant reminder that we were running out of time would encourage us to push ourselves as much as possible in the time frame provided.

Much of our decision to simplify the performance is similar to numerous ‘Tableaux Vivants’ or Living Pictures by Vanessa Beecroft. Beecroft uses collections of girls, often wearing nothing but stiletto heels, all similar in height, build and appearance. In VB 45, Beecroft de-sexualised the girls by making the appear ‘vulgar’ in an attempt at critiquing the fashion industries objectification of women.

Fig.1      vanessa beecroft, vb45.007.dr, 2001, c-print

Though we do not share similar aims, the use of the naked form in a non sexual and simple manner is common .

Fig.1 available from http://www.museomagazine.com/#VANESSA-BEECROFT